The video linked to the research articles used by the creator, and while the site is in German, there are EN translations that have some pretty insightful info:
German Sirius 6.0 site
Research Paper in English (PDF) - discusses research on hand spans, comparisons of competition finishes between pianists, historical piano/fortepiano keyboard sizes, narrower keyboards used by concert pianists such as Barenboim's custom 6.2, and the development and experiences with the Sirius 6.0 keyboard.
Some interesting tidbits:
I love this photo of a direct comparsion of 6.5 and 6.0 keyboards for a Steinway D:

"At international piano competitions, men win first prizes about four times more often than women. In Bach and Mozart competitions, itโs roughly the other way around (Boyle, 2024c)."
"Boyle et al. concluded that the standard keyboard is too large for 87 % of
women and 24 % of men, considering the breadth of the repertoire (Boyle;
Boyle; Booker, p. 57)."
This CAD rendering of the dimensions of the Sirius keyboard (similar to @iternabe's diagram further up in this thread): 
Echoing @ShiroKuro's experience that black keys differ a lot, the article mentions "Since black keys on standard keyboards offer an astonishing variety, the deviations fluctuate" (when describing how much narrower the black keys are versus standard 6.5 keyboards.
The article mentions the Sirius keyboard was inspired by the Donison-Steinbuhler DS Standard keyboards. Interestingly, the two 6.0 keyboards differ slightly, with the D-S keyboard being marginally wider and with narrower black keys than the Sirius.
There is also a 30 page slide deck in English (PDF) that includes a lot of photos and diagrams, including the fact that Steingraeber & Sohne's "Respectful Piano" mentioned somewhere above uses a Sirius keyboard as well.
Last thing I'll say, I really like how this research was published in Germany, which is arguably at the heart of the piano manufacturing world. If there's a chance for this to be adopted more than just with one-off keyboards here and there, there definitely needs to be more buy-in with European piano makers.